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Remarkable footage of a Barcelona anti-austerity demonstration – and its quelling – shaped into a lyrical tribute to the spirit of protest by Victor Kossakovsky ( ¡Vivan las Antipodas!) and 32 Spanish film students.

Toby the Pup, The Museum is only one of twelve cartoons produced and only seven still survive today. Created by animators Sid Marcus, Dick Huemer, and Art Davis. This cartoon is basically about a little dog who is a rather bad and cheeky museum cleaner. Not surprisingly, his boss is very impatient with him and urges him to keep cleaning. As the cleaner cleans, some of the things in the museum come to life.

The Museum is a film that observes, examines and ponders Israel's most important cultural institution, the Israel Museum. The film follows the visitors, observes the observers, listens to the speakers and descends to the storerooms, labs and conference rooms. The American museum director, the singing security guard, the Jerusalemite curator, the Haredi kashrut inspector, the Palestinian guide and the visitor who lost her vision are some of the characters that take part in a chain of activities which add up to the museum. For about 18 months director Ran Tal collected footage of the daily routine of the museum that seeks to both reflect and mold the Israeli legacy and culture.

A short film directed by Marlon Lara

Publicity film for manufacturers and retailers of television equipment. A survey of the programmes transmitted by the British Broadcasting Corporation during the first six months of operation, November 1936 - May 1937, intended for manufacturers and retailers to show sample types of programmes transmitted.

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Michael Abbensetts’ first play for TV is a powerful, funny and shocking exposé of the racism faced by a black museum attendant in his place of work.

From the perspective of the Auschwitz-Birkenau State Museum, documentary material, amongst this the freeing of the camp and the Nuremberg Trials with clips from films which were produced shortly after the war, and pictures of museum visitors are assembled into an essay about memory.

Natalie is an independent artist estranged from her father. Although her family owns the prominent Freeman Museum, she uses her late mother's maiden name to keep her identity a secret from everyone including her artist boyfriend, Alex. When Natalie's father dies, she takes on ownership of the museum with the help of her late father's assistant, Derek. Natalie quickly learns that someone has been stealing paintings and replacing them with counterfeits. But due to the nature of her father's untimely death, Natalie realizes she's not the only one keeping secrets. In her search for the truth, Natalie encounters dangers that threaten not only the museum but her life as well. Could someone close to her be intent on destroying the museum?